A Horse,
of Course
with Don Blazer
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I peeked into Walter’s stall, just out of
curiosity. There was a lot of movement going on in there.
Walter, a horse, of course, had his day sheet
over his ears and twisted around and draped across his right shoulder. He was
looking at himself in a mirror and striking different poses. He grabbed the
sheet in his mouth and flipped it back so it slid down his neck. Then grabbing
the fabric at his chest, he pulled the sheet up his chest. He looked at
himself, but appeared unsatisfied.
"What’s going on?" I asked.
He looked a little embarrassed, then replied,
"I’m trying to create a new fashion look," he said.
"Why?"
"Because I’m soon going to be on the
runway with Naomi, Christy, and Cybil," he said. "I’m going to
be a model."
"What makes you think you’re going to
be a fashion model?’
"Sheryl was here yesterday, measuring me
from head to toe, putting tape all over me, and taking pictures of me walking,
trotting and loping. I’m sure the sewing machines are whizzing; the fall
Paris shows aren’t far off." He obviously had it all figured
out--wrong again.
"You can forget Naomi and Christy.
You’re going to be a model, but not that kind."
"Well, what kind?"
"A Hartland Collectible," I
explained. "You’re being reproduced as a nine by 14-inch resin model.
Being resin instead of plastic, they can capture even the wrinkles in your
nose."
"I’m wrinkleless," Walter said
emphatically.
"You’re ridiculous," I
countered.
I explained to Walter that Sheryl Leisure, a
designer for Hartland, took the photos so she could see how his muscles
appeared when he was in motion.
The tape she placed in strategic places so she
could keep his body proportions correct. From the photos, Sheryl will make
sketches of Walter in different poses, then select the pose for the model.
(Here’s a secret I didn’t even tell Walter: he’ll be trotting.)
Sheryl then turns the sketches into a clay
figure. She uses a wire base, packing clay around it, and then she sculpts
Walter. Once she gets the figure she wants, the first resin casting is made.
From this casting she will produce about six figures. These figures are her
working models. She will make proportion and detail changes and then polish to
perfection. When she gets exactly what she wants, the master mold is cast.
Model horses and model horse collecting has
been around since the early 1950s, Sheryl explains. Hartland Collectibles,
known as a figure maker--sports, religious and horse--was among the first to
produce a series of horses. The hobby of collecting various models really
exploded when Breyer began the large-scale production of realistically-colored
tenite horse sculptures in the late 50s and early 1960s.
As naturally happens when horse lovers get
together, there started to be comparisons between models, markings and poses.
Model horse shows began.
In the 1970s model admirers started formalized
"live shows" where professional judges were engaged, prizes were
awarded and records kept of the competition results. Today model horse
collecting and competition is worldwide. There are several annual model horse
festivals sponsored by Breyer, The Peter Stone Co., and Hartland Collectibles,
and each year there are special model runs and limited editions offered.
While Breyer, Stone and Hartland are the major
model producers, there are numerous companies which offer horse sculptures in
different materials, such as porcelain. And the customizing of models by highly
talented artists is becoming very popular. The trading of models has developed
into another facet of the hobby, and web sites for displaying, selling,
customizing and chatting about models attract new fans.
Of course all this popularity spawed expanded
competition and now there are riders for the models, and tack, including leg
wraps, saddles, bridles, splint boots, blankets, hoods and tail wraps.
"So, you are going to be part of a whole
culture craze, Walter. How’s that grab you?"
"I’m thinking models in city parks.
You know, next to the statues of famous generals, like Napoleon, Washington and
Robert E Lee."
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